Recent content by Ofer

There is a learning curve to AL. No doubt. Try by looking into Mitch Branetts videos and articles to get an idea of how it's done.

Why did you choose to use a mid frequency? Also try to increase the TTD window like Bernt suggested, leaving 2 cycles difference between the 24khz and 10 hz. Look at the TTD default settings.

A quick question to @juicehifi and @Mitchco . Are AL and HLC stable under W11?

OK. I am aware of this notion of connecting the sub to the speaker outs of the amp to retain the sound signature of the amp. Yet this really relinquishes some of the best features of AL. To achieve the best that AL can give you it would be preferable to measure the sub as a separate channel...

Hi, This measurement makes much more sense. The difference here is the room. I am not sure about your question with the AL version. At any rate if it doesn't then upgrade. That is if you can measure the sub as a separate channel. It isn't clear to me how the sub is crossed and from where. DAC/Amp?

So you think the LF bump is from the sub? can the sub be measured separately? If you have a 2.1 system it should be measured as 2.1. That way AL could also time align your sub, which can boost sound quality significantly. A decent tripod is a must.

I see you use 3sec sweep. Try 5 or 10. If you don't get pops and cracks then use the longer sweeps. Also it seems that there is an almost 0.2ms difference between your speakers. Are you sure that the mic is exactly in the middle between the speakers? Your curve looks fine IMO, you could follow...

Yeah I know. Will do soon.

OK. So I solved my issue. For me it meant toeing out the left speaker a few degrees and not the tones align perfectly.

Hi, My speakers are not symmetricly placed in the room. The left speaker is further away from the side wall then the right one. My soundstage, even in True TTD, is not wide and focused enough IMO when seating in the LP exactly between the two speakers. I tried this soudstage test: and the...

You got good answers. My 2 cents. For No. 1. If you use a multichannel professional audio interface you can adjust the gain of each channel individually. That way you can compensate for different speaker sensitivity by level matching all the drivers (relative to the LP) in advance.

I have tried and failed. You can look up my posts. Something with the RME asio routing and AL convolver doesn't work. The only thing that worked for me is HLC. Highly recommend. Tried with RME FF400 and UC.

Nice, that is taking it up a notch to almost blind A/B testing.

I use HLC and it is basically designed to allow filter comparison on the fly. HLC can be integrated into software that don't have that feature like JRiver as a VST plugin.

Can you adjust gain between the filters in HQplayer? It is super important to have the filters play at the same volume when comparing, otherwise louder almost always sounds better.