Dirac Results Surprise - Questions

Allan S

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Greetings. I’m working on 2 channel listening space room correction V2.0 and would appreciate some help understanding surprising REW measurements of several Dirac filters.

A little background. After blindly throwing room treatments at a low frequency resonance problem with underwhelming results, I’m burrowing into the REW/DSP rabbit hole before doing anything else. I am thankful for the depth of knowledge, resources, and references here that have led to a much better appreciation for the role of DSP.

A lot of the references listed below were/are over my head but, after secondary, tertiary, and quaternary (new word in my vocabulary) references, enough got through to reorder DSP priority in my room correction plans.

To the specifics: To test DSP ability to tame low frequency response I temporarily moved a NAD T758V3 with Dirac Live on board into the 2 channel space. For this limited purpose I only measured one mic location to create 2 filters for the primary listening position, one full range and another with the upper curtain drawn to ~400 hz. The UMIK-1 was routed to the desktop running Dirac.

After exporting the filters to the NAD I ran 3 groups of REW sweeps, one for each filter and another for Dirac Off. Each group consisted of 2 sweeps each for the left speaker, right speaker, and both speakers. I retained one sweep when constructing a filter comparison .mdat.

The REW signal chain was from the same desktop running Dirac to the main system DAC then to an analog in on the NAD.

Attached are several REW Dirac sweep comparisons and a sketch of my asymmetric space that includes basic dimensions. The sketch does not include front wall GIK impressions corner traps w/scatter plates, RH side wall 244 bass traps, rear wall Impressions bass traps w/ scatter plates, and free-standing bass trap panels in the rear wall corners. The treatments were in place for creation of all filters and REW sweeps.

Each sweep / comparison description is followed by a question I have for each. Since my questions relate to overall characteristics, the sweeps are displayed at 1/3 octave smoothing for clarity.

Three of the images depict Dirac Off, 400 Hz filter, and Full Range filter left hand speaker, right hand speaker, and both speaker overlays. Q: Please compare the LH, RH, and combined sweeps for each. In the Dirac Off overlay the individual speaker and combined speaker frequency response characteristics appear to be consistent with each other. The roll offs make sense. With either filter on, the combined speaker responses are surprising considering how flat the individual speaker responses are. Maybe too flat through 20 KHz?

Another image is a Dirac Off and Full Range combined speaker overlay. Q: In this comparison the combined speaker differences are obvious. I'd like to understand why Full Range rolls off so quickly and so far only to peak and roll off again.

The last image is a 400 Hz and Full Range combined speaker overlay. In this I am surprised how different the filters are below 400 Hz. I expected they’d be the same up to the 400 Hz curtain. Above the 400 Hz curtain I expected the 400 Hz filter and Dirac Off to be the same. In fact, though not depicted, 400 Hz and Dirac Off track well between about 400 Hz and 1200 Hz. Above 1200 Hz the 400 Hz filter more closely resembles Full Range.

Thanks much in advance for your thoughts.

These were of particular help:
A Beginners Guide to Room EQ Wizard (REW)
Adventures in Waterfalling: Understanding Signal Levels in Time-Domain Graphs
Adventures in Waterfalling Part Deux: Multiple Subs, Free Bass Traps, and More
EQ Does Improve Bass Decay
"Fixed Link_https://diracdocs.com/on_room_correction.pdf"
In depth conversation with Dirac's Mathias Johansson

Edit: spelling and punctuation.
 

Attachments

  • Room Dim Spkr Setup.jpg
    Room Dim Spkr Setup.jpg
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  • Full Range v 400 Hz Both Speakers.jpg
    Full Range v 400 Hz Both Speakers.jpg
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  • 400 Hz L_R and Both Speakers.jpg
    400 Hz L_R and Both Speakers.jpg
    179.7 KB · Views: 40
  • Full Range v Off Both Speakers.jpg
    Full Range v Off Both Speakers.jpg
    178.4 KB · Views: 38
  • Full Range L_R and Both Speakers.jpg
    Full Range L_R and Both Speakers.jpg
    175.2 KB · Views: 38
  • Dirac Off L_R and Both Speakers.jpg
    Dirac Off L_R and Both Speakers.jpg
    185.8 KB · Views: 38
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ddude003

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I hope you don't mind if I add a couple of other reference papers that cover this topic of Room Correction and DSP...

Bruel and Kjaer, Relevant loudspeaker tests in studios in Hi-Fi dealers’ demo rooms in the home etc. https://www.bksv.com/media/doc/17-197.pdf
Dr. Floyd Toole, The Measurement and Calibration of Sound Reproducing Systems. https://www.aes.org/e-lib/browse.cfm?elib=17839
Dr. Sean Olive, The Subjective and Objective Evaluation of Room Correction Products. https://seanolive.blogspot.com/2009/11/subjective-and-objective-evaluation-of.html
And one of my favorites, Mitch Barnett. Pay close attention to his summary/conclusions near the end...
Mitch will take you down the rabbit hole...
 
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Allan S

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Revel Concerta C10
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Revel Concerta M8
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Spatial Audio M4 Saphire
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Bluesound Vault 2i
Many thanks for adding to the conversation and references. Wow. A feature film length video. The deeper I get into this the more I realize how shallow my understanding is.
 

keks8430

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Any idea where the 6k dip in the corrected responses comes from?
 

Allan S

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PS Audio M1200
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NAD T758
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Philharmonic Audio BMR
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Revel Concerta C10
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Revel Concerta M8
Other Speakers or Equipment
Spatial Audio M4 Saphire
Streaming Equipment
Bluesound Vault 2i
Any idea where the 6k dip in the corrected responses comes from?
That is a question I've not started to dig into yet. I suspect I did something wrong because the same dip is seen in both full range and 400 hz curtains but only in the combined LH+RH speaker responses. The dip isn't seen in the individual speaker responses.
We added a sleeper sofa into the space at the rear wall so I need to rerun everything again before taking any next steps.
Edit: The struck portion is wrong for this thread. I was mistook it for another. From the original post my mistake was "For this limited purpose I only measured one mic location..."
I'll dig up the corrected sweeps when setting up for the next set of measurements.
 
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mitchjrj

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We added a sleeper sofa into the space at the rear wall so I need to rerun everything again before taking any next steps.

Crazy how room changes most would give a passing thought impact acoustic measurements.
 

ddude003

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Yamaha RX-A850 Pro (the other 5 channels lol)
Computer Audio
MacBook Pro, Custom i7 7700k De-lid 2xAsus1080ti GFX, Audirvana Studio, Hang Loose Convolver, Tone Projects Michelangelo, Pulsar Massive & 8200, LiquidSonics, SoX
DAC
Chord Electronics Ltd. Qutest
Universal / Blu-ray / CD Player
Sony UBP-X700 /M Ultra HD 4K HDR & PS5
Front Speakers
Martin Logan ElectroMotion ESL
Center Channel Speaker
Martin Logan Motion C2
Surround Speakers
Martin Logan Motion 4
Surround Back Speakers
Martin Logan Motion 4 (yes, another set of these)
Subwoofers
Martin Logan Dynamo 700
Other Speakers or Equipment
Cifte 12AU7 NOS & Genalex Gold Lion Tubes in Pre
Video Display Device
Samsung The Premiere LSP7T UST Laser Projector
Screen
Elite Screens Aeon CLR3 0.8 Gain 103-inch
Remote Control
PrimaLuna, Lumin iApp, Samsung & Yamaha
Streaming Equipment
Netgear Nighthawk S8000 Streaming Switch, Lumin U1 Mini Streamer Transport
Streaming Subscriptions
QoBuz Studio Premier, Amazon Prime & Netflix
Other Equipment
ThrowRug, SaddleBlankets, WideBand & Bass Traps...
Even human bodies in the room make an acoustic impact... Beware holding the mic in your hand when taking room measurements... Your body will throw the measurements off...
 
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