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Disobedience
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Disobedience is the latest film from new director Sebastian Lelio (Fantastic Women), and another attempt at creating an introspective film that peels back the layers of religion, sexuality and our perceptions (or misconceptions) of the flawed nature of human kind. Taken from the 2006 novel of the same name by Naomi Alderman, Disobedience is a fascinating watch, even coming from a highly religiously conservative background as myself. While I was expecting to loathe the movie based upon the trailer (mainly due to the fear of trying to lambast the viewer with heavy handed preaching out persecution of the LGBT community), but it ended up being a mesmerizing watch, as Lelio molds his film to neither lionize, nor demonize, each of the players in this uncomfortable love triangle. He sometimes is a bit too blunt and unwieldy for his own good, but Lelio manages to eek out some incredible performances and take a fairly balanced look at what rebellion, lying to yourself (and others), as well as orthodox creed without focus can do to people.
A prominent Jewish Rabbi in London keels over on the pulpit, requiring a massive funeral for the revered Rav. This draws back the shunned daughter of said Rav, one Ronit Krushka (Rachel Weisz) who was excommunicated from the Hassidic community and now makes her way as a photographer in New York. Upon arriving, Ronit is uncomfortably reunited with her family and greeted by her father’s successor, Rav Dovid (Alessandro Nivola). It’s not long before we find out WHY Ronit was shunned so many years ago. It appears that she had a same sex attraction to a young woman years ago, and instead of bringing public shame the Rabbi’s house, she was sent away to New York so that no one would ever know.
As fate would have it. This young lover is a girl named Esti (Rachel McAdams), and just so happens to now be married to Dovid himself for quite some time. As the young women spend some time together, old flames are rekindled, and the once evenly balanced rock that their lives were built upon will come crumbling down in due order.
The deliberate pacing and methodical building up of interpersonal relationships is not always beneficial to the story, but it is really is one of the highlights of the film as we see the characters grow and flex in their societal roles. Ronit is blunt, aggressive, and frankly, angry for being shunned so many years ago. She lives in confusion and upheaval, living with the remnants of her upbringing, but also the desires of her flesh pulling her in two completely opposite directions. The coming back to her family home rekindles those old desires she once had as a child, and her acts of defiance and rebellion are only amplified by the anger she feels towards the heavily traditional Jewish community. Rachel Weisz gives an absolutely mesmerizing performance as Ronit, playing her as both a sympathetic and cruel character. Her complexities and inner demons molding the rebellious woman as she fights against the system that she feels treated her unfairly.
Esti is the weakest of the three, as her psyche and carefully constructed house of (fake) cards is blown on by the big bad wolf, making her barely contained normalcy in danger of being knocked down with one breath. McAdams isn’t always able to play Esti with the amount of vulnerability and sensitivity needed (she comes across as a bit bland and out of it sometimes), but she does a good enough job to keep the character interesting. HOWEVER, Allesandro Nivola simply steals the movie in every scene that he’s in. His portrayal as the heavily orthodox Rav is one of the best in the entire movie. He’s both dense and incredibly intelligent, and his absolute devotion to his belief system makes him one of the more honorable and sympathetic characters in the movie. While some of the orthodox Jewish community can come across as abrasive and overly “mean” (for lack of a better word), he is approachable and kind in all his actions. Even though he is blind to what is going on right in front of him (for part of the time at least), his intelligence and sharpness of wit allow him to keep his core being about him and act as the emotional foil for Ronit. Instead of being angry, rebellious, and conniving, he is cool, level headed, and completely devoted to his faith down to the last fiber of his being.
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Rated R for some sexuality
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I was rather interested how I would react tot the film upon watching the initial trailer before review. I swing from a rather conservative religious background so I was wondering how heavy and celebratory of the film’s “disobedience” (pun intended) the movie was going to be in reality. Interestingly enough, Disobedience doesn’t beat you over the head. It IS a blunt movie, but it takes all sides of the debate and doesn’t lionize or demonize any one segment of the conflict. Ronit is both intelligently conflicted, while also repugnant in her actions. Esti is confused and in a rock and a hard place situation, while Dovid is as honorable and true to himself as he is a bit dense (he brings forth one of the single best performances of the movie). Whether a person agrees or disagrees with the actions of the main players, it’s fascinating to watch it play out on screen and see how a simple act of rebellion and disobedience can wreck all of what tradition and orthodoxy (both religious and familial) have built up over painstaking times. It IS a bit of a flawed movie, but one that seems to show more depth after repeat viewings. Recommended to check out.
Technical Specifications:
Starring: Rachel Weisz, Rachel McAdams, Alessandro Nivola
Directed by: Sebastian Lelio
Written by: Sebastian Lelio, Rebecca Lenkiewicz, Naomi Alderman (Novel)
Aspect Ratio: 2.39:1 AVC
Audio: English: DTS-HD MA 5.1
Subtitles: English SDH, Spanish
Studio: Universal
Rated: R
Runtime: 115 minutes
Blu-Ray Release Date: July 17th, 2018
Recommendation: Decent Watch
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