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District 9 marks the 1st of South African director/writer Neill Blomkamp’s “trilogy” of films about oppression and the fight for survival, and arguably his best one at that. Elysium went off the rails with social justice dogma, while Chappie was so bizarrely entertaining that I can’t help but love. But at the end of the day District 9 is probably his most thought out, most raw, and most accessible film to the general public. It’s also incredibly relevant to our daily news the last few years, as the discussion of refugees and treatment of refugees has been something of a political hot spot the world over. Blomkamp makes it a film of dichotomies, blending in a typical sci-fi story of evil antagonists and heroic protagonists, but uses that as a shell for a deeper story. A story of depressing realities, and the harsh knowledge that humankind has been oppressing others in some way, somewhere, since t he beginning of time. It’s dark, brutal, and asks more questions than it answers. A move which is highly intentional by Blomkamp as it gives room to think and ponder the things we see (and sometimes refuse to see) in our own society.
The film takes place with a bit of an alternate history. Back in 1982 an alien space craft drops into atmosphere just above Johannesburg, South Africa, leaving the world in wonder about what has just invaded them. However, the ship is completely immobile (theorized because a command module for the fell out during it’s descent) and a bevy of starving alien beings that have been nicknamed “Prawns” (due to them looking kind of like prawns) are found on the ground underneath the ship. After of course trying to figure out a way INTO the space ship, the South African government and a private military organization titled the MNU have cordoned off the alien survivors into a slum known as “District 9”.
District 9 is a fascinating film about oppression and social morays. Blomkamp is coming from a point of apartheid and racial tensions that have been brewing in South Africa for DECADES, but it also spills over into today’s discussions about illegal immigrants and war refugees from the Middle East that we are dealing with over a decade past the film’s creation point. It’s terrifying, nasty, brutal, and yet heartwarming and touching at the same time. Blomkamp uses a documentary style of film making to tell his tale, and it works rather effectively. Especially as it allows the viewer to travel along to many different locations without having to hear tons of villain exposition. We see everything from Wikus’s point of view, and his interactions with those around him shape the final brutal conflict. Interestingly enough, Blomkamp isn’t really laying blame at anyone’s feet. He’s not trying to make a disaster alien movie, but rather paint a much more intimate portrayal of two classes of being at odds DUE to their innate differences and the conflicts and fear that arises as a result.
Rating:
Rated R for bloody violence and pervasive language
4K Video: Video:
One of the biggest boosts this disc gets over the 1080p Blu-ray is the HDR grading. Not only do we get the red vest from Christopher popping more, or the bursts of CGI blood being sharper, but we also get better white levels and better black levels. Notice the opening scrawl with the descriptions of the alien “invasion”. The blacks are much better presented, and the coloring on the writing is more crisp and vibrant. The outdoor shots are drenched in hot South African sunlight, and the tweaked highlights and white levels makes for a very visually appealing picture. The washed out look of the original Blu-ray is much more defined here, and the whites don’t blast out detail at all. The image of the disc will always be very stylistic and “different” by nature, but the 4K UHD disc does a great job fine tuning and enhancing the already good Blu-ray.
Audio:
Extras:
• NEW Original Theatrical Trailers (4K)
• Deleted Scenes
• Director's Commentary
• The Alien Agenda: A Filmmaker's Log – Three-Part Documentary
• Metamorphosis: The Transformation of Wikus
• Innovation: Acting and Improvisation
• Conception and Design: Creating the World of District 9
• Alien Generation: Visual Effects
• Joburg from Above: Interactive Map of Satellite and Schematics of the World of District 9
Final Score:
District 9 is a great film, but not one I would have suspected would have made a great 4K disc though. That being said, Sony has done what they usually do and released a stellar disc that defies expectations. The 4K upgrade is very impressive, and the film itself is surprisingly relative to our society today, especially with all the talks of refugees and borders that has been in the news the last 3 years or so. We even get a few new extras as well instead of just porting over the legacy ones. Definitely highly recommended.
Technical Specifications:
Starring: Sharlto Copley, Jason Cope, Nathalie Boltt, Sylvaine Strike, John Summer, William Allen Young
Directed by: Neill Blomkamp
Written by: Neill Blomkamp, Terri Tachell
Aspect Ratio: 1.85:1 HEVC
Audio: English: Dolby Atmos (Dolby TrueHD 7.1 Core), English DTS-HD MA 5.1, French, German, Spanish, Italian, Ukrainian, Russian DD 5.1
Subtitles: English, English SDH, French, German, Italian, Portuguese, Spanish, Arabic, Dutch, Mandarin (Simplified), Mandarin (Traditional), Russian, Ukrainian
Studio: Sony
Rated: R
Runtime: 112 minutes
Blu-Ray Release Date: October 13th, 2020
Recommendation: Highly Recommended
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