Todd Anderson
Editor / Senior Partner
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- Preamp, Processor or Receiver
- StormAudio ISP.24 MK2
- Main Amp
- Emotiva XPA-5
- Additional Amp
- Emotiva XPA Gen3 2.8 multichannel amp
- Other Amp
- Denon X8500H
- DAC
- THX ONYX
- Computer Audio
- AudioEngine A2+
- Universal / Blu-ray / CD Player
- Kaleidescape TERRA
OPPO UDP-203
Panasonic UB9000
- Streaming Equipment
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- Front Speakers
- GoldenEar Technology Triton One.R
- Center Channel Speaker
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- Surround Speakers
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- Surround Back Speakers
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- Front Height Speakers
- SVS Prime Elevation x4 (Top Front, Top Mid-Front)
- Rear Height Speakers
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- Subwoofers
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- Other Speakers
- Behringer 1124p; Aura Bass Shaker Pros; SuperSub X
- Screen
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- Video Display Device
- JVC NZ8
- Other Equipment
- Sony 65-inch A95L OLED
Sony 65-inch X900F
ZeroSurge 8R15W x 2
ZeroSurge 2R15W x 2
As the 4K Dolby Atmos Version of Edge of No Tomorrow hits the streets on July 5, a lot of enthusiasts are bracing themselves for a bit of a let down on the low-end side of the audio equation.
I did a quick comparison of the original BD release and the K-scape 4K version, and found that the infamous opening bass notes have been altered (read: changed for the betterment of systems across this great land ouf ours!).
If you can see a visualization of the two versions, here:
As you can, the super deep infrasonics have largely been scratched. That said, the Atmos track is rock solid!
I did a quick comparison of the original BD release and the K-scape 4K version, and found that the infamous opening bass notes have been altered (read: changed for the betterment of systems across this great land ouf ours!).
If you can see a visualization of the two versions, here:
As you can, the super deep infrasonics have largely been scratched. That said, the Atmos track is rock solid!