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Ahhh, Harold Ramis. The star of Ghostbusters, As Good as it Gets, and director of such films as National Lampoon’s Vacation and Caddyshack. The man has given us countless films to enjoy over the years, but one that seems to have slipped through the cracks for most people is Groundhog Day. It was never his best film, but it is a fun little flick that happened to star his buddy and collaborator, Billy Murray (back when Bill Murray was actually funny and not obsessed with indie dramas). Co-writing the film with Danny Rubin, Ramis asked the question “What happens if you had to relive the day over and over again till the end of time?”. It was a simple question, and it has been done in a modified format over the years (pretty much any “you’re stuck in this situation till you learn your lesson” story uses this trope), but the inclusion of Billy Murray at the height of his career, and Andie MacDowell’s adorkableness made it a charming film even though some of the subtext is hard to realize on screen.
Phil Conners (Billy Murray) is a bitter and jaded weatherman who really doesn’t enjoy much of life. He’s a bit of an egotist and he finds it beneath him to have to go out to the little podunk town of Punxsutawney, Pennsylvania, where he has to report on the yearly tradition of watching the groundhog come out and see his own shadow. It’s a bit of a hokey gig, but Phil has been doing it for 3 years in a row and the jaded weatherman is about up to here with it. However, there’s a bit of a change this year. Not only is his cameraman Larry (Chris Elliott) going with them, but a new producer on the network named Rita (MacDowell) is accompanying the duo as well. Things go exactly as Phil expected, with a boring report on a stupid tradition, but it’s only when the trio attempt to leave Punxsutawney that things get hinky. A freak blizzard (that naturally the weatherman didn’t see coming) snows them in the town. Going to bed that night Phil grumbles about his bad luck, only to wake up with worse luck. It’s groundhog day again, and again, and again, and again as the same day with the same incidents keep replaying on a loop for the poor guy.
Groundhog Day is a simple film at heart. It’s a story about a scrooge type character who has to be faced with his own flaws in order to overcome them. Instead of Christmas ghosts coming to guide him through the journey, Phil is stuck in the same place so much that this single repeating day is the equivalent of a mirror being thrust in front of him. He has to face his demons and change his life for the better, WITHOUT the carrot of freedom dangling in front of him. Bill Murray was on top of the world back in the late 80s and early 90s, but this was one of the first time he was asked to play a “serious” comedic role, and he does so rather well. The deadpan jokes and sarcastic wit are still there for every Murray fan to revel in, but it’s nowhere near as slapstick as other Ramis directed films like Caddyshack. Macdowell is your adorable independent woman that is the love interest, and even Harold Ramis makes a fun little cameo as the Neurologist in the hospital. One cameo that really stood out (because I could barely recognize him) was a 19 year old Michael Shannon, who plays the groom for the young newlywed (I couldn’t recognize that infamous voice even, it was mostly the jaw line that gave it away).
Rating:
Rated PG for some thematic elements
4K Video: Video:
Audio:
I was actually a little surprised when I saw that Sony had given Groundhog Day an upgrade to Dolby Atmos from the 5.1 TrueHD track of 9 years ago. Not because I begrudge them for giving us next gen audio, but that this was just not a film that really seems to scream “360 degree immersion!”, if you know what I mean. In fact, it’s a bit of an overkill move in reality. The move from 5.1 to Atmos (or 7.1 really, since the overheards are almost never used) IS an upgrade, as the back end of the room opens up just a little bit with those extras channels. Dialog is the main focus of the film and that pushes a majority of the work to the front of the room, but George Fenton’s early 90s soft rock score is what gives the surrounds a bit of a workout. Background noises in the diner or the B&B add some rear end oomph, but as I said. The majority of the film is in the front of the room with score filling out the surrounds. Overheads got one ore two moments think of when Phil is trying to kill himself with the truck or throw himself off of the building), but for most of the movie they’re noticeably silent. LFE is fairly reserved, coming in as accompaniment to the score as well as to amplify the low end of the car chase, and explosion.
Extras:
View attachment 58391 • Deleted Scenes
• Audio Commentary with Director Harold Ramis
• Needle Nose Ned's Picture in Picture track
• The Study of Groundhogs: A Real Life Look at Marmots
• A Different Day: An Interview with Harold Ramis
• The Weight of Time Documentary
Final Score:
Harold Ramis’s Groundhog Day isn’t one of his most popular films, but it is a sweet and entertaining comedy from the 90s that is still a blast to watch, even today. Billy Murray was on top of his game back then, and Andie MacDowell is cute as a button. I can’t say that the movie ever is anything more than good old cinematic comfort food, but the lighthearted affair does exactly what it set out to do. Entertain people with an adorable comedy. The new 30th anniversary edition only brings one new thing to the table outside of the steelbook packaging. The addition of Dolby Vision insteado of just HDR10 that was found on the 2018 release. the differences in video are slight, but noticeable if you know what you're looking for, so unless you have to have the steelbook for the packaging, I'd be hard pressed to reccomend those of us who owned the old 2018 disc to upgrade. HOWEVER, for those of you who didn't pick up the 25th anniversary set then this is a great version to get as it contains slightly better video and some nice steelbook packaging. Still a very fun film and a good buy IMO.
Technical Specifications:
Starring: Andie MacDowell, Bill Murray, Chris Elliott
Directed by: Harold Ramis
Written by: Harold Ramis, Danny Rubin
Aspect Ratio: 1.85:1 HEVC
Audio: English: Dolby Atmos (Dolby TrueHD 7.1 Core), English, Czech, German, Hungarian, Italian, Polish Portuguese, Russian, Spanish DTS-HD MA 5.1, English DTS-HD MA 2.0, French (Canada), Japanese, Spanish, Thai DD 2.0
Subtitles: English, English SDH, French, German, Italian, Japanese, Portuguese, Spanish, Arabic, Czech, Danish, Dutch, Finnish, Greek, Hungarian, Icelandic, Korean, Mandarin (Simplified), Mandarin (Traditional), Norwegian, Polish, Romanian, Swedish, Thai, Turkish
Studio: Sony
Rated: PG
Runtime: 101 Minutes
Blu-ray Release Date: January 10th, 2023
Recommendation: Good Buy