Kong: Skull Island - 4K Blu-ray Review

[Michael Scott]

Kong: Skull Island

Movie:
Video:
Audio:
Extras:
Final Score: ​

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Movie
It seems that comprehensive shared world building has been a common theme among franchises ever since Marvel made it popular. More and more films sharing the same world as other films, with nods and winks to previous films as well as crossovers. As I said, Marvel really kickstarted the fad back into existence (it has always existed, just not in as large quantities as today it seems) with the proliferation of the comic book resurgence, and more and more franchises are following that pattern. DC has their own extended universe, and now Warner Brothers is following suit with the Godzilla universe. A lot of people weren’t very pleased with Gareth Edwards’ 2013 reimaging of Godzilla, but I actually enjoyed the movie immensely. It was a flawed film for sure, but there was lot of explosions, gunfire and Godzilla himself pulling off some muto crunching in the epic last battle. Now when they showed the trailer for Kong: Skull Island and showed Kong as this massive, building sized, creature and hinted that they were in the shared universe, we KNEW what WB was going for. It screams Godzilla vs. King Kong, and I personally can’t wait. Kong: Skull Island happens to fix a few of the flaws that we experienced in Godzilla, but introduces several of its own, making it ever so slightly less enjoyable than the afore mentioned film.

Kong: Skull Island takes place quite a few years back before Godzilla, right as the Vietnam war is wrapping up (in fact, the war is announced over on the TV in the opening moments of the film). We’re privy Bill Randa (John Goodman) and Houston Brooks (Corey Hawkins) of Monarch industries (little wink and nod to our underwater monster friend) begging the U.S. government for funds to go out to an uncharted “Bermuda triangle” like island known as Skull Island. They phrase it as a survey mission, but Bill and Houston have an ulterior motive. Teaming up with a military escort led by Colonel Preston Packard (Samuel L. Jackson), a war photograph named Mason Weaver (Brie Larson) and ex SAS specialist James Conrad (Tom Hiddleston), the clandestine organization heads out for some innocent site seeing. Well, we obviously know that the trip isn’t so innocent, but it doesn’t take long for the rest of the escort to know it too. The minute the helicopters make it through the bad weather surrounding the island, they are attacked by an enraged King Kong. Furiously crushing the copters out of the sky, Kong slaughters half of the armed escort, and leaves the rest scattered around the island, trying desperately to make it to the rendezvous point in time.

As the groups are split up, we get fractured pieces of their understanding. Colonel Packard and his men are incensed at the attack by the giant gorilla, and are FULLY intending to go back to one of the downed birds and get some serious firepower together. Mason, James and a few others stumble into a tribe of indigenous people who have been living there for thousands of years, and in their midst, is a slightly crazed WWII pilot who was shot down over 30 years prior (played by John C. Reilly). It seems that Kong isn’t the monster they thought he was. Skull island is a home to countless monstrous beings that have been frozen in time for centuries while the world moved on and the rest of their species died out. Kong is the last of his overgrown gorilla kind, and he is actually the protector of this little world. Protector you say? Against WHAT? Well, there just so happens to be giant lizard creatures who live under ground, and while Kong patrols the region above the surface, they live underground, unable to harm the creatures and humans up top. The thing is, the arrival of the humans has upset the balance of nature and their seismic devices have awakened the mother of all beasts. The most powerful underground dwelling monster that has ever lived on the island, and Kong may not be able to stop it alone.

Kong: Skull Island deviates drastically from the classic lore (much like the 2013 Godzilla did), and instead mirrors itself after the 2013 monster flick. While the tone and 1970s feel of the movie is quite different, the plot unfolds at a similar pace and takes beats from Godzilla in large quantities. I kind of expected that considering Warner is gearing up for Godzilla vs. King Kong, but sometimes this can act as a detriment to the movie. Humans interfere with the natural habitat, monsters get unleased on the world, and Kong has to go out and smash some monster butt while the human military machine is worthless in taking down said beasties. In fact, replace the term “Godzilla” with “Kong” and you’d have virtually the same movie. Now, on the other hand, there are quite a few good things going for the flick. One of them being so similar to Godzilla. Godzilla was a blast to watch (for me personally, I know a lot of people hated it), and the similar beats made for a lot of fun as Kong ravages the muto like “skull crushers” we watch on as the military can’t do jack to save themselves. The locale change and the shift to the 1970s gives a tonally different feel to the movie that works well and makes it feel a little different than Godzilla at times.

Acting wise, this is a mixed bag. In a monster movie like Kong: Skull Island we’re not so worried about the humans. In fact, they tend to get in the way more often than not. Tom Hiddleston is there to make the girls titter with glee, and Brie Larson and the rest of the cast are pretty much expendable. The only ones who add any spark of life to the human interlopers is the inclusion of John C. Reilly as the slightly loopy WWII vet, and Samuel L. Jackson playing his normal over the top character. Beyond that, we just want to see Kong smash.




Rating:

Rated PG-13 for intense sequences of sci-fi violence and action, and for brief strong language.




Video:

Kong: Skull Island was shot using the Arri Alexa cameras at a 3.4K resolution and then mastered with a 2K digital intermediary for the final release on home video. Which means this 4K UHD disc is once again an upscale. Again, that's not a horrible thing, as many of the best looking 4K discs out there come from 2K upscales as the HDR 10 is the real treat. Kong: Skull Island enjoys a healthy upgrade over the Blu-ray in terms of visual clarity and crispness, with facial details and the lush jungle island backstop showing visibly more details than the Blu-ray. The HDR 10 is once again the real treat, with the bright colors of the island really popping off the screen. The almost puke green of the death valley "pit" where they battle the monsters is beautifully deep and hazy without showing banding or anything, while the orange/yellow tinge to the filter is vibrantly sharp. The island greenery itself is jaw dropping, with green leafy vegetation that is so realistic you can almost reach out touch them. blacks still maintain a good depth and show off plenty of shadow detail. My only real complaint is that besides the HDR coloring, the detail is not AS big of an upgrade as I would have liked.




Audio:

Warner has always been one of the good guys when it comes to putting the Atmos track on the Blu-ray as WELL as the 4K UHD, and Kong is no different. If you’re reading the 4K UHD review, or this 2D Blu-ray review, the audio portion will remain exactly the same (the only change up is the 3D review, which only uses the 5.1 DTS-HD MA mix for some strange reason. A trend that has followed Warner over the last few 3D films they’ve released). As they have been doing recently, the disc comes with both an English Atmos track, as well as a 5.1 DTS-HD MA mix. The 5.1 mix is certainly a fine track, but the Atmos mix (or 7.1 TrueHD core for those without a capable receiver and setup) is distinctly superior. The dialog is well placed in the center channel, and the dynamic range is quite impressive. Surrounds and overheads are used with pinpoint precision, as you can hear individual bullets going over your shoulders, or the helicopter blades thumping right over the top of you with ease. Directional cues for the ambient jungle noises are eerily precise, and the LFE is nothing short of destructive. Now the first thing I will say about the LFE is that it is MUCH different than Godzilla or Pacific Rim. Those films used overcooked bass with built in clipping for a sheer loudness war. Not saying I didn’t love every second of that skull crushing bass, but Kong takes a more subdued approach, still giving us earth crushing bass, but not infusing it in EVERY…SINGLE…moment of the film. There is AMPLE room for earth crushing LFE, but it is used judiciously and doesn’t over power the rest of the speakers. Something which makes me actually really impressed with the sound design.

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Extras:

• Director's Commentary
• Creating a King: Realizing an Icon
• Creating a King: Summoning a God
• Monarch Files 2.0
• Tom Hiddleston: The Intrepid Traveler
• Through the Lens: Brie Larson's Photography
• On Location: Vietnam
• Deleted Scenes

Final Score: ​

Kong: Skull Island isn’t AS good as the 2013 Godzilla, but I think it got far too much critical bad press than was necessary. Is it a great movie? Of course not. It’s a movie where King Kong runs around on an island and smashes thing while the human element watches on in terror. The downside is that, much like Godzilla, too much time is spent on the human conflict, and not enough time with Kong himself. The audio and video for the release are nothing short of jaw dropping, and the special feature are more than capable. Definitely worth it for a fun mindless romp. If you liked the 2013 Godzilla, I think you’ll get a kick out of Kong. If you hated the film, then Kong will probably not tickle your fancy as well. the 4K disc itself is a decent upgrade over the 2D Blu-ray, and whether you pick it up will decide on if you want to see the uptick in visual clarity, as the audio mix is identical, along with special features. Definitely a fun watch.




Technical Specifications:

Starring: Tom Hiddleston, Brie Larson, John C. Reilly, Samuel L. Jackson
Directed by: Jordan Vogt-Roberts
Written by: Dan Gilroy, Max Borenstein
Aspect Ratio: 2.39:1 HEVC
Audio: English: Dolby Atmos (Dolby TrueHD 7.1 Core), English DTS-HD MA 5.1, French (Canadian), Portuguese, Spanish, English DD 5.1 (English DD is DVS)
Studio: Warner Brothers
Rated: PG-13
Runtime: 118 Minutes
Blu-ray Release Date: Own Kong: Skull Island on Ultra HD Blu-ray, 3D Blu-ray, Blu-ray and DVD on July 18 or Own it Early on Digital on June 20!

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• Michael Scott
• May 11, 2017

Recommendation: Fun Watch

 

[Todd Anderson]

Arg.... 4 star vid.

But the sound has bumped to 5?

I'm intrigued... ;-)

 

[Michael Scott]

It's a solid 4K representation. Not a night and day difference, but still more than enough to recommend over the Blu-ray

and the sounds is 5 stars for both the 2D and the 4K as they both share the same audio mix.

 

[Todd Anderson]

For some reason I thought you had the standard Blu-ray Atmos at a 4.5... must have been a different flick! ;-)

 

[Michael Scott]

nope, I had the video at 4.5, but the audio at 5

 

[Todd Anderson]

It must be the old age...

 

[Michael Scott]

The senility kicking in

 

[phillihp23]

My copy arrives tomorrow, looking forward to viewing this. I just recently picked up the prior version King Kong on 4K and it had some noticeable improvements in picture and certainly in the upgraded immersive audio DTSX.

 

[JBrax]

Watched it yesterday afternoon and thought it was ok. Personally I felt some of the acting was on the cheesy side but worth the price of the rental fee. I did enjoy John C Reilly in his role and lol'd a few times. Very nice Atmos track as well.

 

[Jon Liu]

I had the steelbook from Best Buy preordered since around May and I was really looking forward to this release. Sat down and watched half of it last night. I was too tired to finish the rest since the wife has been sick with the flu the last couple days. So I've tried to pick up the slack at home and with the three kids after work. I decided to start the movie in 3D just to see how it was and must say that it looked very impressive, for a post-conversion title. Plenty of depth and also pop-out throughout the first half of the movie that I saw. I will end up finishing it tonight.

Before I did head to bed, I did pop in the UHD disc just to check it out. It looked like a solid upgrade on most fronts for sure. Compared to the 3D version I had just been watching, it was certainly sharper, but the colors were more striking. What was also very apparent was the film grain. I don't recall any of it on the 3D version. Film grain doesn't bother me, but the difference in presence between the 3D and UHD presentation surprised me.

I hadn't seen the movie previously, but it engaged me quite a bit and part of me wished I didn't have to stop it to go to bed. I'm looking forward to watching the rest tonight!

 

[Michael Scott]

the sad thing about the 3D release is no atmos. Once again WB left out the Atmos track and only kept the 5.1 DTS-HD MA track for the 3D disc

 

[Sonnie Parker]

This was an awesome movie for me... loved everything about it. Great video, great audio, great action, good cast (not perfect, but close enough), and I'll watch it several times.