Hi, I'm (trying to) construct a fairly ambitious active 3- way speaker system. I'm not really experienced when it comes to speakers - I normally into various amplifiers and DAC's.
So my initial question is; Is it really feasible to measure and develop a speaker i a normal living room? There are articles ( In this REW forum, there is a guide "How to make quasi-anechoic speaker measurements with REW") about doing pretty good measurements of speakers in an ordinary room, if we are gating the measurement. This guy presents really nice curves - usually flat and nice within some 2dB. But I'm not near that kind of resolution.
My room is around 4 by 5 meters, and is fairly good damped with absorbents on the walls, etc. It's a pretty enjoyable listening room. In order to make some measurements, I have hoisted out most stuff, and I have positioned the speaker in the middle of the room. The microphone ( an UMIK 1 ) is around 1.1 meters from the speaker - on axis. The tweeter is a Mundorf AMT type - a pretty expensive one ( ~700 EUR pair). And the enclosure looks a bit odd - it's made up from concrete and MDF boards. Please look at the photos. I expected the result to be a mess, regarding all reflections. But I have windowed the output at 5ms.
As you can see, the SPL varies by almost 10dB - a far cry from the curves Mundorf provides us with. It seems as the worst part is between 3khz and 7khz, which implies that perhaps my enclosure is flawed. I suspected some diffractions originating from the part where the tweeter is mounted, so I made experiments with filling the empty space between the tubes with sheep wool. No difference, so I added more and more, until the speaker was completely covered with wool, but all the curves looks exactly identical, more or less. I also positioned wooden bits on the sides of the hollow part, but everything looks more or less the same. The peaks and dips are just positioned a bit different.
My second question is; REW uses some math to "spirit away" the part of the signal that is beyond the window. Can it be so that if the room is heavily contaminated by reflections, the algorithms really can't do it's job properly?
Also, perhaps someone has something to say about my enclosure. It's made of concrete, MDF, bitumen sheets, etc. It's probably quite rigid, but I have some concerns about it being prone to diffractions. Especially the part behind the tweeter. Therefore, I'm a bit frustrated that I can't obtain some nice and reliable curves.
BTW, my design goal was to create the ugliest "high end wannabe" speaker in the western region of Sweden.
This didn't do any good.
As a reference, I'm have my old B&W804D speakers, which is lower high end, and the curves are not much nicer there. They have a well known dip around 2-3 khz, though. The blue line is B&W, the orange one is my project speakers.
And, I must mention; these curves are made with just the tweeter connected - except the B&W of course.
So my initial question is; Is it really feasible to measure and develop a speaker i a normal living room? There are articles ( In this REW forum, there is a guide "How to make quasi-anechoic speaker measurements with REW") about doing pretty good measurements of speakers in an ordinary room, if we are gating the measurement. This guy presents really nice curves - usually flat and nice within some 2dB. But I'm not near that kind of resolution.
My room is around 4 by 5 meters, and is fairly good damped with absorbents on the walls, etc. It's a pretty enjoyable listening room. In order to make some measurements, I have hoisted out most stuff, and I have positioned the speaker in the middle of the room. The microphone ( an UMIK 1 ) is around 1.1 meters from the speaker - on axis. The tweeter is a Mundorf AMT type - a pretty expensive one ( ~700 EUR pair). And the enclosure looks a bit odd - it's made up from concrete and MDF boards. Please look at the photos. I expected the result to be a mess, regarding all reflections. But I have windowed the output at 5ms.
As you can see, the SPL varies by almost 10dB - a far cry from the curves Mundorf provides us with. It seems as the worst part is between 3khz and 7khz, which implies that perhaps my enclosure is flawed. I suspected some diffractions originating from the part where the tweeter is mounted, so I made experiments with filling the empty space between the tubes with sheep wool. No difference, so I added more and more, until the speaker was completely covered with wool, but all the curves looks exactly identical, more or less. I also positioned wooden bits on the sides of the hollow part, but everything looks more or less the same. The peaks and dips are just positioned a bit different.
My second question is; REW uses some math to "spirit away" the part of the signal that is beyond the window. Can it be so that if the room is heavily contaminated by reflections, the algorithms really can't do it's job properly?
Also, perhaps someone has something to say about my enclosure. It's made of concrete, MDF, bitumen sheets, etc. It's probably quite rigid, but I have some concerns about it being prone to diffractions. Especially the part behind the tweeter. Therefore, I'm a bit frustrated that I can't obtain some nice and reliable curves.
BTW, my design goal was to create the ugliest "high end wannabe" speaker in the western region of Sweden.
This didn't do any good.

As a reference, I'm have my old B&W804D speakers, which is lower high end, and the curves are not much nicer there. They have a well known dip around 2-3 khz, though. The blue line is B&W, the orange one is my project speakers.
And, I must mention; these curves are made with just the tweeter connected - except the B&W of course.