Minidsp 2x4 hd vs avg meassurement

Thomas Larsen

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Hi saw on minidsp homepage that their tutorials has changed regarding REW and subwoofer meassurements. They recommend that you meassure more e.g. 3 positions and then use the avg. response for yor EQ. How many use that ? I always only use one position in the MLP and eq that.
The multi position thing is kind of the audyssey way of doing.
Pros / cons of both ?
 
I’m a MLP-only guy for manual EQ. After that, I personally I’ve always found the SQ perfectly acceptable in other locations – can’t tell a difference at any seat on the couch, even though they all measure a bit different.

Never have used Audyssey.

Regards,
Wayne
 
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Makes sense as the sub response can change a bit even just a few inches away.
There’s also the “moving mic method” of measuring a response to eq.
 
Hi saw on minidsp homepage that their tutorials has changed regarding REW and subwoofer meassurements. They recommend that you meassure more e.g. 3 positions and then use the avg. response for yor EQ. How many use that ? I always only use one position in the MLP and eq that.
The multi position thing is kind of the audyssey way of doing.
Pros / cons of both ?

Just remember to use the Vector Average when averaging responses to include the phase data for creating EQ filters.
 
One day I was curious about how well the moving mic technique matched averaged swept measurements. I have used only MMM for the last year or two because it is so easy and quick to set up, but I wondered...

So what I did was take about a dozen separate swept measurements at the LP, and at surrounding points about a foot away - in front, behind, above, below. These measurements looked about as different as you might expect. I then vector averaged them and got a composite average response. Then I ran a MMM with pseudorandom noise, very carefully, transiting the same volume I had just used for the swept tests. In both cases, I was measuring from about 15 Hz up to around 15 kHz (my hearing's upper limit).

The result? My MMM amplitude response was essentially identical to the averaged set.

I have manually (as well as using REW) created filters based on the MMM result, and the outcome was audibly the same. I have no reason to doubt the MMM results in my room, and it's almost trivially easy to get a measurement that correlates well to what I hear. As long as you take care to set it up properly and use pseudorandom noise, I have no problem recommending it for subwoofer setup.
 
One day I was curious about how well the moving mic technique matched averaged swept measurements. I have used only MMM for the last year or two because it is so easy and quick to set up, but I wondered...

So what I did was take about a dozen separate swept measurements at the LP, and at surrounding points about a foot away - in front, behind, above, below. These measurements looked about as different as you might expect. I then vector averaged them and got a composite average response. Then I ran a MMM with pseudorandom noise, very carefully, transiting the same volume I had just used for the swept tests. In both cases, I was measuring from about 15 Hz up to around 15 kHz (my hearing's upper limit).

The result? My MMM amplitude response was essentially identical to the averaged set.

I have manually (as well as using REW) created filters based on the MMM result, and the outcome was audibly the same. I have no reason to doubt the MMM results in my room, and it's almost trivially easy to get a measurement that correlates well to what I hear. As long as you take care to set it up properly and use pseudorandom noise, I have no problem recommending it for subwoofer setup.
Will you please provide your REW RTA settings? Thank you
 
I'm not Greg obviously, but here's some settings I've used for room average RTA, aka moving mic method.
1673588030971.png

Use pink periodic noise generator, keep a constant pace of movement with the mic so you take about same number of measurements in each location. Once complete, save and apply psychoacoustic smoothing, for full range EQ >200Hz, use target slope of 0.7dB/oct.
 
I never came back after having discovered MMM for EQ my system. Better for less filters used and better for inner peace of an audio-OCD person!
 
I'm not Greg obviously, but here's some settings I've used for room average RTA, aka moving mic method.
View attachment 58382
Use pink periodic noise generator, keep a constant pace of movement with the mic so you take about same number of measurements in each location. Once complete, save and apply psychoacoustic smoothing, for full range EQ >200Hz, use target slope of 0.7dB/oct.
Many thanks! very helpful
 
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