Michael Scott
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Back in 1980 people had noooooooooooooooooo idea what to make of Popeye in live action. The days of goofy throwback movies was long gone, and folks were expecting a more traditional film experience. Instead what they got was a manic mess of hamburgers, muscles, slapstick humor akin to the old 1960s comedies, as well as the manic craziness of 1929 cartoon series, all blended together into a 1950s and 60s musical attire. Even 40 years later I really don’t know what to make of the magical manic mess that is Popeye. The film is delightfully campy, hilariously fun, but an insane MESS of a film that really feels out of place. The humor of the movie is sidelined by campy musical songs, as well as some pretty poor casting for the villain Bluto, and a plot that feels more at home in a 30 minute short instead of a near 2 hour film.
Popeye (Robin Williams) comes to the little town of Sweethaven looking for his his Pa who left him at the age of 2, only to find a quirky little town filled with eccentric characters who all have a penchant for breaking out in song for no reason. The town is especially afraid of strangers, shunning the sailor at every chance they get, except for the Oyl family, who takes him in. The entire town is run by the mysterious “commodore” whose will is enforced by the burly and brutish “Bluto” (Paul L. Smith). The crazy little town is just as bizarre as it seems, with an overly obese hamburger loving bum named Wimpy, a priest, a whole host of other oddball characters, and the town “beauty”, Olive Oyl (Shelley Duvall) who’s engaged to be married to Bluto soon enters into a weird “parenting” relationship when the two find an abandoned child they name “swea pea”.
The good side of this coin is that Altman cast the movie impeccably. Robin Williams is a rubber faced genius at imitating the mumbles and guttural grunts of the famous seaman, and everyone else is cast to perfection to replicate the various counterparts. Altman meticulously directs each scene, each back drop, and each character to give the illusion of a cartoon in live action form down to a T. This perfection comes at a cost though, as cartoons are best for comic strips, and live action requires different direction. The same attention to comic perfection kills the movie in many ways as it feels too campy for it’s own good. Some people like that sort of thing, but the vast majority of the public, critics, and myself felt it was a bit “too much”.
Rating:
Rated PG by the MPAA
Video:

Audio:

Extras:

• The Popeye Company Players
• Popeye's Premiere
• The Sailor Man Medleys
• Theatrical Trailer
Final Score:

Popeye is a fun enough film, but it’s a bizarre flick that is really a cult watch for many. Not everyone will love it, but it’s a film that has gained a rather rabid following, even if they are in the vast minority. The new disc by Paramount looks and sounds rather good, and there’s a brand new extra that even the DVD didn’t have back in the day, so all in all I’m rather impressed with the package. Worth checking out for nostalgic purposes at the very least.
Technical Specifications:
Starring: Robin Williams, Shelley Duvall, Ray Walston, Paul Dooley, Paul L. Smith
Directed by: Robert Altman
Written by: Jules Feiffer (Screenplay), E.C. Segar (original characters)
Aspect Ratio: 2.35:1 AVC
Audio: English: Dolby TrueHD 5.1, English DD 2.0
Subtitles: English, English SDH, French
Studio: Paramount
Rated: PG
Runtime: 114 minutes
Blu-Ray Release December 1st, 2020
Recommendation: Nostalgic Watch